Essay, "Matters of Choice and Discovery" by Robert Sobieszek, Curator of Photography and Deputy Director,
Los Angeles County Museum of Art
Foreword by Ferenc Máté, author of The Hills of Tuscany
Preface by Paula Chamlee and Michael A. Smith
The land of Tuscany has nurtured and inspired artists for centuries.
In Tuscany: Wandering the Back Roads, Volume I, by Paula Chamlee, and
Volume II, by Michael A. Smith, the glorious tradition continues and is
even enhanced in their deeply personal and beautiful photographs of one
of the most alluring and romantic places in the world.
In the spring of 1999 and 2000, and in the fall of 2001, the
photographers Michael A. Smith and Paula Chamlee shipped their old Land
Rover to Europe, after configuring it to accommodate their large-format
camera equipment and camping gear. They then drove to Italy, where they
traveled together, yet worked separately while exploring the landscape
and the small towns and villages of Tuscany—each recording their own
visual responses to a land they had come to love.
During their travels and adventures, Smith and Chamlee photographed
from the quarries in the Carrara region in the north to the old
Etruscan towns in the south, and from the Val di Chiana and Cortona in
the east to the Island of Elba off the coast to the west. Their
photographs, full of warmth and life, yet demanding in their complex
visual elements, are the culmination of those three extensive trips.
Selections from each of the photographers are here collected in this
extraordinary two-volume set of books.
Chamlee’s 8 x 10, 5 x 7, and 4 x 5-inch photographs are presented in
Volume I, along with an essay by the noted Curator of Photography,
Robert Sobieszek, a foreword by the well-known writer, Ferenc Máté, and
a preface by the photographers. Volume II is a long-format book and
contains Smith’s 8 x 20-inch photographs.
To insure the exacting standards that are a hallmark of Lodima
Press, every detail in the production of these exquisite books was
supervised by the photographers. The reproductions of the photographs,
in 600-line screen quadtone and printed on heavy coated stock by Salto2
in Belgium, achieve unmatched fidelity to the original prints. Sturdy
French-fold dust jackets protect and complete the elegant production of
these fine books.